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Justin Gaethje Is The UFC's New Crown Prince Of Violence. LAS VEGAS—The thing nobody tells you about watching fights live is how quiet the arena can get. When Hawaiian middleweight Brad Tavares took to the octagon to fight Canadian pretty boy Elias Theodorou during Friday night’s UFC event, the arena rumbled with Bruce Buffer’s sonorous yelps and the fighters’ respective walkup songs. Once the fight started, you could have heard a mouse fart.

It’s rare for a UFC debutante to get a main event, much less a main event against a top-five ranked contender who most recently went three rounds with perhaps the. At the 2014 World Cup, James Rodriguez appeared to cement himself as the next international superstar. Scoring six goals in five matches, including one of the best of.

The fight card supporting the finale event of The Ultimate Fighter’s 2. The arena roared to life at times, most notably when Marc Diakiese turned a leg kick dodge into a highlight, but the top never came off the place until Justin Gaethje stepped up to fight Michael Johnson. From the moment the prospect looked at the gatekeeper in front of him, everyone in attendance more or less lost their shit—with good reason, because we were treated to the fight of the year.

It’s rare for a UFC debutante to get a main event, much less a main event against a top- five ranked contender who most recently went three rounds with perhaps the best fighter in his weight class. It doesn’t make sense, but not much about Gaethje does.

Compared to the chiseled demigods fighting that weekend, Gaethje almost looks normal. His individual abs are not defined, his arms aren’t notably long, and aside from a pair of cauliflower ears, his plain face betrays no signs of the fights he’s been in. As his pre- fight jawing session with Johnson showed, he’s not much for shit talking, even when he’s being called essentially an inbred mongrel. He comes from a German- Mexican copper mining family near the Arizona- New Mexico border, and even worked in the mines for a summer. It’s unforgiving country, the sort of out- of- the- way humble beginnings Johnson pointedly mocked. Gaethje wrestled in college and started training mixed martial arts in Colorado. Since he started fighting professionally, he hasn’t lost.

Since he started winning, he has only had to wait for the judges twice. He may not look it until he enters the octagon, but Justin Gaethje is a terrifyingly violent man. Perhaps the most foundational tenet of fighting is that you should avoid getting hit by your opponent while hitting them as much as you can. Gaethje is a fervent zealot of the second axis of this truth and ignores the first. Simply put, it’s a minor miracle that Gaethje is 1. UFC competition, while getting hit as much as he does.

He’s a pressure fighter, but unlike, say, Stipe Miocic, Gaethje seems to love eating half a dozen punches in order to land a few of his own. It’s a seemingly self- defeating strategy that is a recipe for disaster against all but the least capable strikers. Thing is, though, if you’re close enough to hit Gaethje, Gaethje gets to hit you back, and there can be no victory once that starts.

Even before he had seen the first second of UFC action, the Vegas crowd was chanting his name. What had once been a quiet arena was now filled with screams of “GAETH- JE!

GAETH- JE!” as thousands yearned for a chance to see Justin Gaethje destroy and be destroyed. It started quick. Within 1. 0 seconds of the fight starting, Johnson had already staggered Gaethje.

A body kick and a snapping left to Gaethje’s head sent the newcomer stumbling backwards. As the first round wore on, Johnson kept Gaethje on the business end of his 3. Gaethje’s solution was the only one he knows: more violence. It seems redundant, but at its heart, MMA fighting is violence. There are gorgeous technical achievements to laud, intricate tactical considerations to ponder, and stylistic problems to tease out, but boiled down to its base elements, a fight involves two people hell- bent on physically harming their opponent until they can’t fight any longer.

While fans want personalities and spectacle, the UFC is a temple to the violent arts, and the unavoidable humiliation of someone getting their ass kicked is what makes this brutal sport so engrossing. Nothing beats the raw thrill of winning a fight, even if nobody gets out unharmed. Least of all Gaethje. Getting in range to throw leg kicks (which he does with abandon, hips unlocked, with all his power behind them) and shots to Johnson’s head meant passing a threshold and stepping in range of Johnson’s hands. Exchanges would end and Gaethje wouldn’t even take a second to breathe before lumbering back into the pocket for more, making an audible wshh- ing like Sunny’s Mac with each strike. He took punches over and over again but he walked right through them to smack Johnson’s head with a pair of brutal hooks. It became a war. Despite forcing Johnson into fighting the exact type of fight he said he wanted to avoid, Gaethje nearly got knocked out in the first round.

Johnson caught him in the head, and Gaethje wobbled to the fence, giving up his back and eating a huge punch straight to the face without even rising to defend himself. There were 1. 01 strikes in the first round and Gaethje took the worst of it.

He looked like dead meat. Even if the fight didn’t end there, it felt as if Gaethje had been found out. A man can only take so much punishing before he can’t fight anymore and Gaethje had been brutalized. And yet, somehow, Gaethje pushed his face straight into Johnson’s hands as soon as the second round started.

It was clear that the judges would not be necessary. The best UFC fights are the ones that push both fighters to their limits, past which they keep fighting after both are depleted and nearly broken.

Nothing is as brutal or as heart- rending as two fighters shaking off the debilitating effects of getting beaten up to keep going at it. There are no happy endings in MMA, because the process of fighting grinds you down to a nub. It can be hard to watch, but it’s also tremendous spectacle.

Johnson and Gaethje reached that level in two minutes and stayed there for seven more. Gaethje’s sense of spatial reasoning got knocked out of him again and he stayed in the fight to throw some more combinations at Johnson. Johnson seemed to be in control of the fight, and he was, until finally a dazed Gaethje waded into another exchange and destroyed Johnson with a uppercut. The fight was over shortly afterwards, with Gaethje claiming yet another knockout win. Gaethje had never faced a harder hitter than Johnson, or taken as many serious shots, and yet he continued to walk into the danger zone for the chance to hit back. This may well be a foolish long- term strategy, but Gaethje proved its value against an elite fighter, and provided one of the most thrilling action fights in UFC history. They stopped selling beer in the arena before the fight and nobody seemed to give a shit after getting treated to a pure brawl.

You can see the entire UFC on Fox crew fighting through goosebumps as they start the post- fight show. Nobody gleefully accepts this many strikes without eventually losing something, but for right now, Gaethje is a terrifying opponent for anyone in the lightweight division and perhaps the most violent fighter in any weight class. Johnson is strong, smart, and bigger than Gaethje, and he was swept away in an unholy maelstrom of ferocity. Gaethje has only fought one time in the UFC, yet he is already in the mix to fight the very best in the lightweight division. After all, Johnson was ranked fifth and he knocked him out.

Dana White mentioned that Gaethje is a possible opponent for Tony Ferguson if Khabib Nurmagomedov is unable to make weight again. Ferguson is a spectacular fighter, and an especially violent striker in his own right. Gaethje wouldn’t be favored, although he’d surely pressure Ferguson and smash his face more than a few times, which would be the case for anyone he could possible face right now. Sometimes, that’s enough to win a fight. No matter who fights Gaethje, nobody will escape the violence.

Listing Of Chicago Plays and Shows Now Playing in Theaters in Chicago  List Of Shows Now Playing. Blocks From Broadway. Annoyance Theatre  From Cats to Heathers, the improv troupe Rhyme & Punishmint has cornered the market on creating feature length shows in the style of some of Broadway's favorite musicals. Now, in their new show, 3 Blocks From Broadway, the group will up the ante by letting you decide what they'll perform when the curtain rises, making an even greater challenge. But this highly talented cast of actors and improvisers is ready to put on a show that's filled with fun, surprises and maybe even a Nerf gun.

AN AMERICAN IN PARIS won four 2. Tony Awards, four Drama Desk Awards, four Outer Critics Circle Awards, the Drama League Award for Best Musical, three Fred and Adele Astaire Awards, and two Theatre World Awards.

Praised by The New York Times as . With no social media, no cellphones and no internet allowed, they are left with one thing to do.. And when the liquor starts flowing and the tongues start to loosen, no conversation is uneventful and no topic is off- limits. AT THE TABLE is bold and timely new comedy that explores what happens when a marginalized minority finally speaks up and those with privilege find themselves challenged for the first time. Who is invited to the table for what discussions, and what are we refusing to discuss at all? Artistic Affiliate Wandachristine takes on 6 different characters during the course of this solo play- some broken, some on the way down, but all memorable.

Grab your BYO- Booze and settle in for a cozy evening of improv comedy, where their harrowing and hilarious tales will be sure to keep you up at night! Each week, special guests will perform alongside A Brief Intermission in this hour- long performance.

What better way to spend a Friday evening than drinking and listening to a fully improvised bedtime story? The Archdiocese's new bingo department needs to raise money for the parish. That's where you come in: Get ready to play bingo for a variety of wacky prizes. Along the way, you'll be drawn into conversation about everything from Adam and Eve to modern sins.

Just be careful: You might laugh so hard you forget to yell ! The production highlights the nuances and life perspectives of various people who are from the Black global community. The Bridges of Madison County is a sweeping romance about the roads we travel, the doors we open and the bridges we dare to cross. Bye Bye Liver is filled with interactive social games for the audience, pitting males versus females, actors versus audience and so on. Bar life and alcoholic adventures are held up for your amusement so you can laugh - - and drink - - your troubles away. With a spontaneous and interactive format, the outcome is always a fun and outrageous time for everyone, both audience and cast.

The tableaux of LUZIA weave an intricate, contemporary mosaic that awakens your senses and transports you to a place suspended between dreams and reality. Featuring a cast of 4. LUZIA surprises with acrobatic performances breaking down the barriers, such as incorporating water into contemporary circus disciplines. But Last Year. The Public House Theatre  About Next Year is Here.. But Last Year: This ensemble- driven comedy looks deep into the fundamentals of baseball, the culture of the area, and the larger- than- life personalities came together to make the dreams of a city come true. Heroes and controversial figures will step off the field and onto the stage, such as bromancers Kris Bryant and Anthony Rizzo, heartthrob Jake Arrietta genius Theo Epstein, and the whole Ricketts family. Drivers Alienware M17x R3 Review there. And of course, the whole shebang is hosted by the immortal Harry Caray!

The Sketch Comedy Drinking Game. Cornservatory  Corn Productions is celebrating its 2. BYOB sketch comedy show. The seven person ensemble is aided by a luminescent . Her other roommate, whose drag queen personality is Yoko Homo, is fine with the situation, so long as Lennon starts paying rent. Featuring strong language, drug use and fish costumes, the play F*ck You, John Lennon is billed as . That's both the setting and the name of playwright Teri Foltz's new comedy, where five teachers relax, vent their frustrations and share thoughts, hopes and insecurities that they'd never dream of uttering in a classroom.

The stories of five students weave in and out of the teachers' tales, as the educators' memories of their own high school experiences blend with their present day careers. The Faculty Lounge is a hilarious and heartfelt peek into the minds of the people who spend eight hours a day teaching our kids, and it's coming to the Oil Lamp Theater in Glenview. Amidst the quirky outfits and stuffy country club rules, there's plenty of heart and comedy in the sport. Catch this new production about honesty, love and, of course, golf when it comes to St. This exciting new cast illustrates that there is still plenty to laugh at in ourselves and though they may be slightly shattered, America still has two legs to stand on.

Fantastic Super Great Nation Numero Uno proves that as long as we're still willing to listen to each other, laughter is our international language. The Central City Police Department has the most elite fighters in the region and they keep the peace by doling out hard- nosed justice. Officer Barb Davies (Jennifer Betancourt) is the most skilled fighter of them all, yet she has the most level head.

Can she make sense of this new world or are we doomed to repeat the endless cycle of violence? In The Gin Game, Weller Martin and Fonsia Dorsey strike up an acquaintance and begin to play gin rummy. As the game progresses, intimate secrets of their lives are revealed and they begin to search for each other's weaknesses in both the game and life itself.

With this production, John and Paula join an elite history of famous duos who have previously battled in The Gin Game, including original stars Hume Cronyn and Jessica Tandy (the 1. Broadway production and 1. TV movie), Dick Van Dyke and Mary Tyler Moore (the 2. PBS television special), and James Earl Jones and Cicely Tyson (the 2. Broadway Revival). The production also features The Golden Girls trivia and games to help fully embrace the Miami experience. From bastard orphan to Washington's right hand man, rebel to war hero, loving husband caught in the country's first sex scandal to Treasury head who made an untrusting world believe in the American economy, Hamilton is an exploration of a political mastermind.

George Washington, Thomas Jefferson, Eliza Hamilton, and lifelong Hamilton friend and foe, Aaron Burr, all attend this revolutionary tale of America's fiery past told through the sounds of the ever- changing nation we've become. Hir's crusade to shake up the patriarchy is disarmingly funny, absurd and surprising as it looks at an American family forced to build a new world out of the pieces of the old. Garamella's play follows a naive but determined rat- detective, Danny, as they scour the shadowy sewers to solve the death of their mentor, the fatherly Ezzy. The sewer has never been in such disarray as the regular waves of food- scraps from Hog's. Belly have stopped flowing into the sewer, leaving the now- civilized rat- citizens hungry and desperate for direction before they return to their more primal, animalistic ways. With no other options, the rats turn to the mysterious and powerful Senka for help. It becomes a race against the clock for Danny to save his sewer from its own gnarly animal instincts.

Outsized, manic, fucked- up and impossibly creative, Lester traveled with some of the most iconic musical figures of the 2. The Clash, Bob Marley, Lou Reed - peeling away the veneer between . He was at once irreligious and messianic about his hopes for the future, humanity in general, and music in particular. Music could save the world. At least that's what you tell yourself when you start out.